1925b
Tamara de Lempicka
Nude on a Terrace, 1925
Details
- Title: Nude on a Terrace
- Year: 1925
- Catalog ID: B.058
- Medium: Oil on canvas
- Height: 38 cm
- Width: 55 cm
- Signature: T.DE LEMPICKA.
Exhibitions
N/A
Auctions
27/05/1991 - MÜNCHEN. Ketterer, # 75 $ 0
Collections
"1990 - Private collection - Germany, 1991 - Private collection - Germany"
History
Notes
(Nu sur une terrasse)
Was Lempicka already dreaming of Mexico in 1925? There is a tropical note to this piece which, through the artist's massive stylization of the figure, comes close to the work produced by Mexican muralists.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Seated Woman, 1925
Details
- Title: Seated Woman
- Year: 1925
- Catalog ID: B.061
- Medium: Oil on canvas
- Height: 55 cm
- Width: 33 cm
- Signature: DE LEMPICKA. (top left)
Exhibitions
N/A
Auctions
- 13/06/1980 - NEW YORK. Sotheby's “4395”, # 469 $ 7 500
- 06/06/1992 - LYON. J-C Anaf, # 233 $ 0
Collections
1997 - Barry Friedman Ltd. - U.S.A.
History
N/A
Notes
(Femme assise)
In strange anthopomorphic mimesis of an approach familiar to us through Botero's work, the feet of the chair have been swollen in the same stylized fashion as the model's legs.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Two Nudes in Perspective, 1925
Details
- Title: Two Nudes in Perspective
- Year: 1925
- Catalog ID: B.059
- Medium: Oil on canvas
- Height: 55 cm
- Width: 33 cm
- Signature: T.DE LEMPICKA. (top right)
Exhibitions
1997 - Hiroshima Museum of Arts. Tamara de Lempicka, Tokyo-Hiroshima, Japan
Auctions
N/A
Collections
"- 1989 - Private collection - France
- 1990 - Collection of G. Lahaussois - France"
History
N/A
Notes
(Deux nus en perspective)
By concealing the hands and feet, the artist underscores the massive quality of these bodies, which seem monumental in their simplicity and forcefulness. This effect is further enhanced by the work's mirror-effect and the angle of vision from below.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
The Model, 1925
Details
- Title: The Model
- Year: 1925
- Catalog ID: B.063
- Medium: Oil on canvas
- Height: 116 cm
- Width: 73 cm
- Signature: T.DE LEMPITZKI. (bottom left)
Exhibitions
"- 1925 - Bottega di Poesia, ""Tamara de Lempitzka"", Milan, Italy
- 1972 - Galerie du Luxembourg, ""Tamara de Lempicka de 1925 à 1935"", Paris, France
- 1996 - Barry Friedman Ltd. ""Tamara de Lempicka"", New-York, United States"
Auctions
N/A
Collections
"- 1968 - Private collection - Switzerland
- 1980 - Private collection - U.S.A.
- 1996 - Barry Friedman Ltd. - U.S.A."
History
N/A
Notes
(Le modèle *)
The body's sinousity is intensified by a background that, escaping all realism, takes on major importance.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Group of Four Nudes, 1925
Details
- Title: Group of Four Nudes
- Year: 1925
- Catalog ID: B.064
- Medium: Oil on canvas
- Height: 130 cm
- Width: 81 cm
Exhibitions
- 1972 - Galerie du Luxembourg, "Tamara de Lempicka de 1925 à 1935", Paris, France
- 1981 - Seibu, "Tamara de Lempicka", Tokyo-Osaka, Japan
Auctions
08/05/1991 - NEW YORK. Christie's “Elliot”, # 21 $ 0
Collections
"- 1970 - Private collection - Great Britain
- 1993 - Pruskin Gallery - Great Britain
- 1994 - Private collection - U.S.A."
History
N/A
Notes
(Groupe de quatre nus)
Germain Bazin commented on this painting: "I know of no other work so akin to 'Turkish Bath' by Ingres than this group of nudes, where every inch of canvas is devoted to flesh. One even recognizes the 'gorge de pigeon' (pigeon neck) shimmer of the 'Turkish Bath', which seems, here, to emit an undefinable, romantic cooing. Lempicka's lines are Ingres-like in their sensualism, as are her contours and colors."
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Seated Nude, 1925
Details
- Title: Seated Nude
- Year: 1925
- Catalog ID: B.060
- Medium: Oil on canvas
- Height: 61 cm
- Width: 38 cm
- Signature: T.DE LEMPICKA. (bottom right)
Exhibitions
1997 - Hiroshima Museum of Arts. Tamara de Lempicka, Tokyo-Hiroshima, Japan
Auctions
- 22/06/1988 - PARIS. Ader, Picard, Tajan. Hôtel G. V, # 99 $ 83 300
- 26/07/1991 - DIVONNE-LES-BAINS. Kohn. Casino , # 152 $ 107 500
Collections
1991 - Private collection - Switzerland
History
N/A
Notes
(Nu assis)
The pose taken here bespeaks the hard sitting sessions on behalf of art students: this model's somewhat weary attitude brings to mind "Nude, Blue Background" (B.16) of 1923.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Seated Nude, 1925
Details
- Title: Seated Nude
- Year: 1925
- Catalog ID: B.062
- Medium: Oil on canvas
- Height: 61 cm
- Width: 38 cm
- Signature: DE LEMPICKA. (top left)
Exhibitions
1925 - Salon d'Automne 1925, Paris, France
1972 - Galerie du Luxembourg, ""Tamara de Lempicka de 1925 à 1935"", Paris, France
1984 - Hollywood American Legion Post, ""Tamara"", Los Angeles, United States
Auctions
01/10/1983 - NEW YORK. Christie's “Breuer-5404", # 156 $ 0
Collections
1980 - Private collection - U.S.A.
1983 - Barry Friedman Ltd. - U.S.A.
1985 - Private collection - U.S.A."
History
N/A
Notes
(Nu assis)
The subject here is a studio nude seen at a sharp angle from below. The background, handled cubistically, brings to mind the screens that were used to protect the models, more or less successfully, from drafts. The body's deformations and enormous legs, most especially, heighten the effect of perspective, in the manner of a wide-angle lens. In the art academies such as "la grande Chaumière", which Lempicka attended, the lack of space often forced first-row students to view the model from an unusual angle. Delving into her recollections of these sessions, Lempicka achieved the characteristic stylization we see here.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Portrait of Baroness Renata Treves, 1925
Details
- Title: Portrait of Baroness Renata Treves
- Year: 1925
- Catalog ID: B.067
- Medium: Oil on canvas
- Height: 100 cm
- Width: 70 cm
- Signature: T. DE LEMPITZKA. (bottom left)
Exhibitions
1925 - Bottega di Poesia, ""Tamara de Lempitzka"", Milan, Italy
1926 - Salon des Indépendants 1926, Paris, France
1972 - Galerie du Luxembourg, ""Tamara de Lempicka de 1925 à 1935"", Paris, France
1975 - Scottish Art Council, ""Fashion 1900-1939"", Edimburgh-London, Great Britain
1992 - The National Museum of Women in the Art, ""Polish Women Artists and Avant-Garde/Voices of Freedom"", Washington, United States
1994 - Accademia di Francia (Villa Medici), ""Tamara de Lempicka/ Tra eleganza e trasgressione"", Rome, Italy
1996 - Barry Friedman Ltd. ""Tamara de Lempicka"", New-York, United States
1997 - Hiroshima Museum of Arts. Tamara de Lempicka, Tokyo-Hiroshima, Japan"
Auctions
10/05/1989 - NEW YORK. Sotheby's “5850-Ripipoint”, # 380 $ 150 000
12/11/1987 - NEW YORK. Sotheby's “5633-Tzanck”, # 380 $ 0
Collections
1972 - Galerie du Luxembourg - France
1978 - Private collection - U.S.A.
1989 - Barry Friedman Ltd. - U.S.A.
History
Baroness TREVES, Portrait retained by Lempicka: Renata Treves de Bonfili Fontana (1892-1965) was a key figure in the between-the-wars Milanese society circles. She held a "salon" welcoming visiting intellectuals and artists. In 1972, her portrait still had not left the studio, an ocirca ight perhaps connected to the fiasco that had cut short a would-be affair between Lempicka and Baron Giuseppe Treves's good friend Gabriele D'Annunzio.
Notes
(Portrait de la Baronne Renata Treves *)
Baron Treves, the husband of this patron of the arts, was Gabriele D'Annunzio's official publisher. Of a different size than the standard French formats, this portrait must have been created in Italy.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Two Women with Cloches, 1925
Details
- Title: Two Women with Cloches
- Year: 1925
- Catalog ID: B.065
- Medium: Oil on wood panel
- Height: 32 cm
- Width: 40 cm
- Signature: DE LEMPICKA. (top left)
Exhibitions
10/05/1995 - NEW YORK. Sotheby's "6699 Ambrose", # 288 A $ 76 750
Auctions
N/A
Collections
1995 - Private collection - Japan
History
N/A
Notes
(Deux femmes aux chapeaux cloche)
A double portrait, in which the profile of the figure to the left matches the "Portrait of Romana de la Salle"(B.99). The city portrayed in the background, gives the psychological measure of the liberated woman couple.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Two Little Girls with Ribbons, 1925
Details
- Title: Two Little Girls with Ribbons
- Year: 1925
- Catalog ID: B.066
- Medium: Oil on canvas
- Height: 100 cm
- Width: 73 cm
- Signature: DE LEMPICKA. (bottom left)
Exhibitions
1925 - Bottega di Poesia, ""Tamara de Lempitzka"", Milan, Italy
1994 - Accademia di Francia (Villa Medici), ""Tamara de Lempicka/ Tra eleganza e trasgressione"", Rome, Italy
1997 - Hiroshima Museum of Arts. Tamara de Lempicka, Tokyo-Hiroshima, Japan
Auctions
11/11/1992 - NEW YORK. Sotheby's “Picador”, # 225 $ 135 000
28/02/1982 - circa AILLES. G. Blache. Hôtel Rameau, # ? $ 28 600
Collections
1925 - Purchased directly by Mr. Sierpski - France
1992 - Collection of George and Vivian Dean - U.S.A.
History
N/A
Notes
(Les deux fillettes aux rubans)
In this work, the artist has very accurately captured the impatience of a little girl nailed to a big armchair (the same as the one used in "Portrait of a Man in a Club Chair", B. 27)
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Portrait of Prince Eristoff, 1925
Details
- Title: Portrait of Prince Eristoff
- Year: 1925
- Catalog ID: B.070
- Medium: Oil on canvas
- Height: 65 cm
- Width: 92 cm
- Signature: T. DE LEMPITZKI (bottom right)
Exhibitions
1925 - Bottega di Poesia, ""Tamara de Lempitzka"", Milan, Italy
1972 - Galerie du Luxembourg, ""Tamara de Lempicka de 1925 à 1935"", Paris, France
1981 - Seibu, ""Tamara de Lempicka"", Tokyo-Osaka, Japan
1994 - Accademia di Francia (Villa Medici), ""Tamara de Lempicka/ Tra eleganza e trasgressione"", Rome, Italy
1996 - Barry Friedman Ltd. ""Tamara de Lempicka"", New-York, United States
1997 - Hiroshima Museum of Arts. Tamara de Lempicka, Tokyo-Hiroshima, Japan
Auctions
N/A
Collections
1972 - Galerie du Luxembourg - France
1983 - Barry Friedman Ltd. - U.S.A.
1984 - Private collection - U.S.A.
History
Prince ERISTOFF, Portrait retained by Lempicka: Prince Eristoff was descended from a very old (Transcaucasian) Georgia family. Nonetheless, judging from his portrait, he had adopted the British style as his own. This is another portrait that remained in Lempicka's studio.
Notes
(Portrait du Prince Eristoff *)
An Italian city, which could very well be Florence, can be seen behind the drapery. In the same manner as the artists of the Quattrocento, Lempicka thus complements her portrait of this person by providing additional information on the sitter's idealized surroundings.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Head of Slavic Woman, 1925
Details
- Title: Head of Slavic Woman
- Year: 1925
- Catalog ID: B.068
- Medium: Oil on canvas
- Height: 46 cm
- Width: 36 cm
- Signature:T.DE LEMPICKA. (top left)
Exhibitions
1981 - Seibu, "Tamara de Lempicka", Tokyo-Osaka, Japan
Auctions
N/A
Collections
1972 - Private collection - France
History
N/A
Notes
(Tête de femme slave)
Here again, Lempicka was drawn to the manly charms of this sort of strongly structured face.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Portrait of André Gide, 1925
Details
- Title: Portrait of André Gide
- Year: 1925
- Catalog ID: B.069
- Medium: Oil on cardboard
- Height: 50 cm
- Width: 35 cm
- Signature: T.DE LEMPICKA. (artist's stamp top right)
Exhibitions
1981 - Seibu, "Tamara de Lempicka", Tokyo-Osaka, Japan
Auctions
01/02/1980 - PARIS. Ader, Picard, Tajan. Drouot RG., # 182 $ 2 954
Collections
1980 - Galerie du Luxembourg - France
1984 - Private collection - U.S.A.
History
André GIDE, Client: In the year he had this portrait done (1925), André Gide (1869-1951) was fifty-six. Gide enjoyed sitting for portraits, and had served as model for, among others, Paul-Albert Laurens and Jacques-Emile Blanche. André Lhote did a very conventional likeness of him in red chalk (Daniel Offret Auction Sale, Drouot, 9 July 1987). It may have been through Lhote that the young Lempicka met this between-the-wars period literary giant.
Notes
(Portrait d'André Gide)
Gide - presented here as a tortured figure - has been divested of his glasses, and provided instead with empty, black eyes (which is a sculptural technique). In his preface to the 1994 Exhibition of Rome catalog, Maurizio Calvesi writes: "The torment exuded by this face is achieved - in almost epic dimension - by the use of broken planes, and post-Cubist cutting up into facets, as an expressive, or rather, Expressionist, means. The brush sculpts, making the facial features look like they were vigorously carved with a chisel."
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Portrait of Marquis d’Afflito, 1925
Details
- Title: Portrait of Marquis d’Afflito
- Year: 1925
- Catalog ID: B.071
- Medium: Oil on canvas
- Height: 81 cm
- Width: 130 cm
- Signature: T.DE LEMPITZKI. 1925 (bottom right)
Exhibitions
1925 - Bottega di Poesia, ""Tamara de Lempitzka"", Milan, Italy
1972 - Galerie du Luxembourg, ""Tamara de Lempicka de 1925 à 1935"", Paris, France
1981 - Seibu, ""Tamara de Lempicka"", Tokyo-Osaka, Japan
1984 - Hollywood American Legion Post, ""Tamara"", Los Angeles, United States
1992 - The National Museum of Women in the Art, ""Polish Women Artists and Avant-Garde/Voices of Freedom"", Washington, United States
Auctions
01/02/1980 - PARIS. Ader, Picard, Tajan. Drouot RG., # 182 $ 2 954
Collections
1968 - Private collection - Switzerland
1972 - Galerie du Luxembourg - France
1973 - Private collection - France
1980 - Private collection - U.S.A.
1983 - Barry Friedman Ltd. - U.S.A.
1990 - Private collection - Italy
History
1925, Chronology: De Lempicka won public acclaim for her one-woman show at the Bottega di Poesia in Milan, organised by Count Emmanuele di Castelbarco. During a prolonged stay in the city she made the acqaintance of a number of italian aristocrats with influence in the art world.
Marquis D'AFFLITO, Portrait retained by Lempicka: Two portraits of Marquis D'Afflito had remained in Lempicka's studio: they may have been portraits of the two brothers. In effect, that is what the biography written by her daughter implies: ""...When she (Tamara) dined in town with the D'Afflito brothers."" Inseparable in real life, they remained so in Lempicka's depiction of them.
Notes
(Portrait du marquis d’Afflito *)
The Roman pose the Marquis has struck here combines informality and elegance. The contact (bound to be somewhat humid) between the lush vegetation and the delicate tuxedo material effectively heightens the impact of this, otherwise somewhat commonplace, subject.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Leaning Nude I, 1925
Details
- Title: Leaning Nude I
- Year: 1925
- Catalog ID: B.073
- Medium: Oil on canvas
- Height: n/a
- Width: n/a
- Signature: T.DE LEMPITZKY (bottom right)
Exhibitions
1925 - Bottega di Poesia, "Tamara de Lempitzka", Milan, Italy
Auctions
N/A
Collections
1925 - Unknown collection
History
N/A
Notes
(Nu adossé I)
All trace has been lost of this painting, which appears on a photo taken during the Milan Exhibition of 1925.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Portrait of the Duchess of La Salle, 1925
Details
- Title: Portrait of the Duchess of La Salle
- Year: 1925
- Catalog ID: B.072
- Medium: Oil on canvas
- Height: 162 cm
- Width: 97 cm
- Signature: T.DE LEMPICKA. (top right)
Exhibitions
1925 - Bottega di Poesia, ""Tamara de Lempitzka"", Milan, Italy
1926 - Salon d'Automne 1926, Paris, France
1972 - Galerie du Luxembourg, ""Tamara de Lempicka de 1925 à 1935"", Paris, France
1976 - Musée des Arts Décoratifs, ""Paris 1925"", Paris, France
1977 - Nationalgalerie, ""Tendenzen der Zwanziger Jahre"", Berlin, Germany
1978 - Hayward Gallery, ""Neue Sachlichkeit and German Realism of the 20s"", London, Great Britain
1980 - Musée des Arts Décoratifs 1980, ""La famille des portraits"", Paris, France
1981 - Seibu, ""Tamara de Lempicka"", Tokyo-Osaka, Japan
1986 - Neuer Berliner Kunstverein, ""Androgyn"", Berlin, Germany
1989 - Museo Nacional de Arte, ""Tamara de Lempicka"", Mexico, Mexico
1991 - Musée des Beaux-Arts de Montréal, ""Les années 20, l'âge des métropoles"", Montréal, Canada
1994 - Accademia di Francia (Villa Medici), ""Tamara de Lempicka/ Tra eleganza e trasgressione"", Rome, Italy
Auctions
12/11/1988 - NEW YORK. Sotheby's “5777-Merma”, # 404 $ 0
Collections
1967 - Private collection - France
1988 - Barry Friedman Ltd. - U.S.A.
1991 - Private collection - Germany
History
Duchess DE LA SALLE, Portrait retained by Lempicka: Born in Athens in 1887, with Marika as her first name, the duchess owes her title to her marriage, in 1905, to Duke de la Salle de Rochemaure. This marriage was not to the liking of the family and thus ended in divorce, earning the duchess a sizeable alimony. Done up tightly in her riding attire, smoking a pipe or a cigar, the duchess - who continued to pride herself over her title - was most lavish with her newfound fortune, much of which she allotted to several artists encountered on social occasions (such as the English woman artist Marlow Moss). By the thirties, once her source of income had run dry, she withdrew, with her daughter Romana, to an Alpine village where she lived the simple life until her death in 1973. As can be seen in the panoramic view by Jacques-Henri Lartigue (see "Jacques-Henri LARTIGUE"), the large portrait of the duchess in her riding boots hung to the right of the bed in Lempicka's bedroom in her flat on rue Guy de Maupassant.
Notes
(Portrait de la Duchesse de La Salle *)
This portrait underscores this horsewoman's domineering effect by planting her on a staircase carpeted in red. The setting, constituted by a column and a theatrically imposing drape, seems more like an entranceway to a nightclub or any other night spot than the hallway of a ducal residence. The yellow windows of the lopsided houses throw light onto the winding roads, in a fashion reminiscent of films by Murnau.
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Study for "Sharing Secrets", 1925
Details
- Title: Study for "Sharing Secrets"
- Year: 1925
- Catalog ID: B.049
- Medium: Crayon on Paper
- Height: 7.6 cm
- Width: 5.5 cm
- Signature: (Etude pour "les confidences") on the back, a study for "Au salon de thé"- See B.94-
Exhibitions
N/A
Auctions
N/A
Collections
N/A
History
N/A
Notes
1972 - Private collection - France
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
At the Café, around the Table, 1925
Details
- Title: At the Café, around the Table
- Year: 1925
- Catalog ID: B.050
- Medium: Crayon on Paper
- Height: 11.3 cm
- Width: 8.7 cm
- Signature: LEMPICKA. (artist's stamp bottom right)
Exhibitions
N/A
Auctions
N/A
Collections
1980 - Private collection - France
History
N/A
Notes
(Au café, autour de la table)
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
At the Tearoom, 1925
Details
- Title: At the Café, around the Table
- Year: 1925
- Catalog ID: B.051
- Medium: Crayon on Paper
- Height: 7.6 cm
- Width: 5.5 cm
- Signature: N/A
Exhibitions
N/A
Auctions
N/A
Collections
1972 - Private collection - France
History
N/A
Notes
(Au salon de thé) on the back, study for"les confidences"
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Tearoom, 1925
Details
- Title: Tearoom
- Year: 1925
- Catalog ID: B.052
- Medium: Crayon on Paper
- Height: 10.9 cm
- Width: 8.2 cm
- Signature: (Salon de thé)
Exhibitions
N/A
Auctions
13/05/1987 - NEW YORK. Phillips "662", # 44 $ 1 800
Collections
N/A
History
N/A
Notes
N/A
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Tearoom, 1925
Details
- Title: Tearoom
- Year: 1925
- Catalog ID: B.053
- Medium: Crayon on Paper
- Height: 10.8 cm
- Width: 8.3 cm
- Signature: (Salon de thé)
Exhibitions
N/A
Auctions
13/05/1987 - NEW YORK. Phillips "662", # 43 $ 1 500
Collections
N/A
History
N/A
Notes
N/A
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Study after..., 1925
Details
- Title: Study after...
- Year: 1925
- Catalog ID: B.055
- Medium: Crayon on Paper
- Height: 11.3 cm
- Width: 8.7 cm
- Signature: N/A
Exhibitions
N/A
Auctions
N/A
Collections
1980 - Fundacion Victor Manuel Contreras - Mexico
History
N/A
Notes
(Etude d'après...)
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org
Tamara de Lempicka
Study for "Two Nudes in Perspective", 1925
Details
- Title: Study for "Two Nudes in Perspective"
- Year: 1925
- Catalog ID: B.054
- Medium: Crayon on Paper
- Height: 11.3 cm
- Width: 8.7 cm
- Signature: LEMPICKA. (artist's stamp bottom right)
Exhibitions
N/A
Auctions
N/A
Collections
1972 - Private collection - France
History
N/A
Notes
(Etude pour "Deux nus en perspective")
See B.59
Rights & Reproductions
If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org
For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org