1925b-1926a

Nude on a Terrace, 1925

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Details

  • Title: Nude on a Terrace
  • Year: 1925
  • Catalog ID: B.058
  • Medium: Oil on canvas
  • Height: 38 cm
  • Width: 55 cm
  • Signature: T.DE LEMPICKA.

Exhibitions

N/A

Auctions

27/05/1991 - MÜNCHEN. Ketterer, # 75 $ 0

Collections

"1990 - Private collection - Germany, 1991 - Private collection - Germany"

History

Notes

(Nu sur une terrasse)

Was Lempicka already dreaming of Mexico in 1925? There is a tropical note to this piece which, through the artist's massive stylization of the figure, comes close to the work produced by Mexican muralists.

Rights & Reproductions

If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org

For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org

Seated Woman, 1925

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Details

  • Title: Seated Woman
  • Year: 1925
  • Catalog ID: B.061
  • Medium: Oil on canvas
  • Height: 55 cm
  • Width: 33 cm
  • Signature: DE LEMPICKA. (top left)

Exhibitions

N/A

Auctions

- 13/06/1980 - NEW YORK. Sotheby's “4395”, # 469 $ 7 500
- 06/06/1992 - LYON. J-C Anaf, # 233 $ 0

Collections

1997 - Barry Friedman Ltd. - U.S.A.

History

N/A

Notes

(Femme assise)

In strange anthopomorphic mimesis of an approach familiar to us through Botero's work, the feet of the chair have been swollen in the same stylized fashion as the model's legs.

Rights & Reproductions

If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org

For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org

Two Nudes in Perspective, 1925

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Details

  • Title: Two Nudes in Perspective
  • Year: 1925
  • Catalog ID: B.059
  • Medium: Oil on canvas
  • Height: 55 cm
  • Width: 33 cm
  • Signature: T.DE LEMPICKA. (top right)

Exhibitions

1997 - Hiroshima Museum of Arts. Tamara de Lempicka, Tokyo-Hiroshima, Japan

Auctions

N/A

Collections

"- 1989 - Private collection - France
- 1990 - Collection of G. Lahaussois - France"

History

N/A

Notes

(Deux nus en perspective)

By concealing the hands and feet, the artist underscores the massive quality of these bodies, which seem monumental in their simplicity and forcefulness. This effect is further enhanced by the work's mirror-effect and the angle of vision from below.

Rights & Reproductions

If you have any questions about licensing Tamara de Lempicka artwork, please contact: marisa@tamaradelempicka.org

For press inquiries or any other type of inquiry, please contact: marisa@tamaradelempicka.org